From stories where class barriers collapse into violence to grotesque explorations of indulgence and moral decay, filmmakers have mined the rich for fear, satire, and societal critique. Some movies unmask the decay beneath luxury, turning polished surfaces into arenas of envy and desperation.
Other works go beyond social satire into biting psychological territory, questioning not just what the elite have, but what they become when unchecked power meets human flaw. Whether through surreal traps of entitlement, roaring excess, or economic corruption, these titles reveal worlds where privilege is both shield and weapon.
Nicolas Winding Refn pushes the glamour of Los Angeles to the edge of surrealism in The Neon Demon (2016), where beauty is not merely a form of currency but a kind of violence.
"In the fashion world, where beauty is worshipped, the film reveals the lurking dangers of obsession and envy."
In the unsettling neo-noir Under the Silver Lake (2018), Los Angeles becomes a tapestry of conspiracies and secrets visible only to the obsessive. The protagonist, played by Andrew Garfield, wanders through a metropolis where hidden codes, celebrity symbols, and clandestine narratives seem designed to protect an elite living behind dazzling facades.
Stanley Kubrick’s final film immerses itself in the secret intimacy of the powerful. Following Dr. Bill Harford through the closed halls of an elitist sexual ritual, Eyes Wide Shut (1999) uses visual language and psychological tension to expose how high-society circles protect hidden pacts behind masks and codes.
Although not a film about traditional elites, Martyrs (2008) explores another form of structural darkness: a secret society convinced it can transcend human experience through systematic torture.
This grotesque 1980s cult film is far more than an odd horror title; it is a savage satire of the upper class. Beneath its bizarre surface lies a society literally and figuratively different from everyone else.
Blending science fiction and noir, Dark City presents a shadowy, inexplicable metropolis controlled by an elite that manipulates human memories and destinies.
One of the most provocative works of art cinema, Salò transforms the Marquis de Sade’s brutal novel into an allegory of how absolute power can devolve into total domination over bodies and dignity.
This landmark of Italian cinema examines how social pressure and the desire to fit into “normality” can lead a man to embrace authoritarian structures he believes will validate his identity.
This contemporary film plays with identity and consequence within privileged circles. Infinity Pool explores what happens when characters with money and power believe themselves beyond social or legal repercussions.
What begins as political satire quickly reveals itself as something more primal: humans turned into sport for the amusement of the powerful.
Set amid the polished excess of late-1980s Manhattan, this adaptation of Bret Easton Ellis’s novel dissects capitalism’s most narcissistic fantasy.
Bong Joon-ho’s Oscar-winning thriller reframes class conflict as intimate architecture: two families bound together by inequality, separated by elevation, secrecy, and illusion.
Fine dining becomes ritualistic theater in this dark satire of exclusivity and taste. Guests arrive expecting luxury and leave confronting something closer to judgment.